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Vol. 16, No. 4: Winter 2010

Front Porch: Winter 2010

by Harry L. Watson

“The South’s diversity not only has room for ‘High Culture,’ it also shelters a range of vernacular cultures that Mencken barely recognized. As a result, the meaning of ‘southern cultures’ is far more fluid and unpredictable than he and many others recognize.”

I never knew my mother’s mother, a woman so distant from me that I think of her as “Miss Lucy” rather than “Grandmamma.” But I do know a lot about her. She was a college graduate, when that was still a rare thing for a country girl, from one of our very early state schools for women. She agonized that her schoolteacher’s job (and then her marriage) had utterly exiled her from childhood and college haunts to the North Carolina boondocks. She fiercely believed in books and late-Victorian “High Culture,” and passed her creed intact to my mother. One of her legacies was a tiny phonograph collection that Mom saved when the old house had to go.

This article appears as an abstract above, the complete article can be accessed in Project Muse
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