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Photo Essay

Quicker than Coal Ash

by Will Warasila, Anne Branigin

At first, you’re not quite sure what you’re looking at: a windshield blotted like a Jackson Pollock painting; twin smokestacks squatting over pale water; a sawn tree stump, so red at its center you’d think it was bleeding; land so dry it looks like a rash. These are the images photographer Will Warasila captured in »

Snapshot

Snapshot: Fish Display, 2014

by Richard Knox Robinson

Reedville, Virginia The plastic-draped wooden structure in Fish Display welcomes you to Reedville, Virginia. Vastly out of proportion to its surroundings, it celebrates the role commercial fishing has played in “The Town Fish Built.” As the town’s unofficial symbol, it is just one of the vernacular structures that dot the region, taking pride of place »

Memoir

Mulberry Season Again

And Other Minor Comforts Between Major Upheavals

by Lisa Sorg

The sweetest mulberries in Durham, North Carolina, grow in Maplewood Cemetery, on a tree that shades the grave of Leon Jeffers. Every year, in late May, I forage my way downtown, heading north from the Lakewood neighborhood. The first tree teems with a swarm of bees so profuse that the branches seem to vibrate. The »

Snapshot

Snapshot: Jean Hooper, 2018

by Justin Cook

From “Tide and Time” | Salvo, North Carolina Jean Hooper, eighty-five, stands in the Pamlico Sound at the Salvo Day Use Area. She was born on Hatteras Island and has watched the sea steadily reshape the only home she’s ever known. Behind her is the Salvo Community Cemetery, which is slowly washing into the sound. »

Essay

The Knife’s Edge of Ruin

Race, Environmentalism, and Injustice on Hilton Head Island, South Carolina, 1969–1970

by Madison W. Cates

On a steamy June afternoon in 1970, a crowd gathered outside the Sea Pines Company’s sprawling headquarters on the southern end of Hilton Head Island, South Carolina. Led by the Rev. I. DeQuincey Newman of the South Carolina NAACP, fifty African American protestors came to deliver a message to Charles Fraser, the head of Sea »

Snapshot

Snapshot: Water Treatment, 2020

by Monique Verdin

Bvlbancha: St. Bernard Parish, Louisiana Where does your water come from? How do we treat water? How is water treated? I’ll never forget, when I was about twenty, how I watched as my father made his way down the bank of the Mississippi to water’s edge, on a cold December day, to wash his face »

Photo Essay

Louisiana Trail Riders

by Jeremiah Ariaz

While riding my motorcycle on Louisiana Highway 77 in 2014, I encountered a group of nearly fifty people on horseback. They commanded the narrow, two-lane road that runs along Bayou Grosse Tete, and I pulled off to the side for them to pass. As they rode by, I retrieved my camera from the saddlebag of »

Snapshot

Snapshot: Two Sides to Every Story, 2014

by Aaron Turner

Arlington, Tennessee Pictured here is my maternal grandfather Aaron, the man I am named after. During his entire life, he worked with his hands, a self-taught carpenter and contractor. His life started in Crawfordsville, Arkansas, then he moved on to Earle, Arkansas, where he, his father, and his brothers grew cotton and sold their harvest »

Essay

A Totally Different Form of Living

On the Legacies of Displacement and Marronage as Black Ecologies

by Justin Hosbey, J.T. Roane

“‘I didn’t grow up with a disdain for free people of color, or for that area. But I grew up knowing that they wasn’t us.’” This is a brief reflection on water, swamps, bayous, wetlands, and Black life in the United States, and the forms of freedom and racialized unfreedom that these ecologies have facilitated. »

Poetry

Snapshot: Haiku, 2019

by RaMell Ross

Hale County, Alabama LEDus stand here ____ future dinosaurnear the errors of three hands clappingwhat indifferent god particle sparking,through the strong ear and out the other.perhaps forgetting some string theory dangling,out inside the dinning deafness

Essay

Malik Rahim’s Black Radical Environmentalism

by Joshua B. Guild

In the sweltering summer of 2010, as thousands of barrels of crude oil from the Deepwater Horizon oil rig explosion that April gushed daily into the Gulf of Mexico, sixty-two-year-old Malik Rahim took an unusual course of action. He got on his bike. The New Orleans native and lifelong organizer announced his intention to cycle »

Snapshot

Snapshot: The Tea Room, Vizcaya, 2017

by Anastasia Samoylova

Miami, Florida The Tea Room is part of my FloodZone project, which looks at the subtle traces and signs of what is happening to the southern United States as it comes to terms with rising sea levels. The photograph was taken in Miami’s Vizcaya Gardens on Biscayne Bay after heavy rain. The tide is high »