From an old wooden swing, Zulayka Santiago heard the over-revving of another truck speeding down the main road in front of her house. It was a not-too-warm day in May 2020, and we were at the tail end of our nearly hour-long interview. We tried to escape the noise by sitting near the treehouse where »
“I found myself wanting to find a way to bridge the gap between the Black and white experiences of living in Claiborne County, and I hoped that the photos I took might someday help others see how they might flourish, as my girls did, from immersive contact with a culture not their own.” In 1973, »
“Sanctuary is a direct response to raids, detentions, and deportations.” Juana Luz Tobar Ortega’s garden lies just beyond St. Barnabas Episcopal Church’s tree-lined gravel driveway, past a weather-worn statue of Jesus and a vacant parking lot where birds rest in large flocks. You have to look to find it. But here, sun-warmed tomatoes twine around »
“My dad spent much of his childhood in this North Mississippi landscape, and the process of wandering alone through these woods gave me a sense of connection to him that I hadn’t expected.” Early this Spring, at the beginning of quarantine, my wife and I had the privilege of living at my grandmother’s lake house, »
I was in college when I first learned that my great-grandmother, Lydia Andrews, who my father and his siblings and cousins called Ganny, was born on the United Fruit Plantation in Puerto Limón, Costa Rica. Before Papi shared this fact with me, I knew Ganny only in small glimpses of family memory that seemed to »
My sister and I created wondrous shadow worlds for ourselves when we were girls. We were dancers on clouds and underground, or we had to lie still under floor planks with heavy boots plodding above us, or we were mean teachers in one-room schoolhouses with unruly children, or we were grandmothers being monstrously magical and »
“We look to the unseen, to the power of opposites—the darkness and the light, the seen and unseen, the known and unknown, the dreams and the reality.” I can’t imagine a better time for a special issue on the Imaginary South than now. And, to be sure, we could have no better guest editor than »
The land, creeks, and rivers of Orange and Alamance Counties in North Carolina have been the core of my photographic work for the last decade. With creeping subdivisions snipping away at farmland and open fields year by year, I feel this work of photographing them has taken on a documentary element I did not intend. »
Last December, as I was wrapping up a visit to my family in eastern North Carolina (the last such visit I’d be able to make, it turned out, for quite a while), my mom gave me a brown spiral-bound handbook: Presbyterian Pot Pourri, a cookbook published in 1984 by the women of the First Presbyterian »
In a year of isolation, we took solace in stories. And in a year of heartbreak, loss, and conflict, we sought understanding. These are the articles our online readers turned to again and again in 2020. We start at the beginning. Our top two reads open with photographs of their authors cradled in a parent’s »
On a sticky June Sunday in 1959, two people meet each other outside an eastern Kentucky hamlet called Daisy. A twenty-seven-year-old college grad living in New York City, the grandson of Russian Jewish immigrants, wants to experience the Great Depression, and he is listening for music that might work like time travel. The other man, »
On August 28, 2020, Randall Kenan became an ancestor. As he took flight, local newspapers paid tribute. Southern writers mourned. And the Black queer southern writer who grew up in Chinquapin—a community woven together by hogs, Bibles, and tobacco—garnered praise from the likes of the New York Times and O Magazine. A few of us—Black »