“Stories about Alan Lomax and his exploits are legendary. While doing research in the Library of Congress Music Division, Lomax was sitting at a table across from a student who was reading his classic Folksongs of North America. At one point the student looked across the table and asked, ‘Is Alan Lomax still alive?’ Lomax »
“I approach these things as a moralist, really, because honesty and truth are moral values, but beauty is something else. And it’s a word that should be used damn carefully.” Few books have touched me so deeply as Let Us Now Praise Famous Men (1941). I first read it as an undergraduate student at Davidson »
“I almost lost my life trying to save my guitar.” B.B. King’s name is synonymous with the blues. At the age of eighty-one, the blues patriarch maintains a rigorous schedule of performances throughout the nation and overseas that would exhaust a much younger artist. King’s performances and recordings have shaped the blues for more than »
“I think in a lot of areas an almost mystic thing happened, given the backdrop. When I was a boy there was a pretty strict segregation, and it was so much the historic custom that really relatively few people even questioned it. Then came the 1960s and their challenges to the system.” Alex Haley’s legacy »
Over our 22-year history, we’re proud to have published 22 articles by our esteemed colleague and friend William Ferris—from interviewing B.B. King to finding Faulkner in Bulgaria. William Ferris is one of the greatest documentarians of the twentieth-century South. His collection of photographs, audio, film, and writings at UNC-Chapel Hill’s Southern Folklife Collection encompasses some »
Interview
I met Margaret Walker Alexander in the fall of 1970 when I taught my first class at Jackson State University. She and I both taught in the English Department, and I will never forget a lecture that Margaret gave to my students on Zora Neale Hurston. She and Zora had traveled similar roads as southern »
“‘What is most important . . . Is that Bulgarians know there are people on the other side of this globe who have the same problems, the same feelings, even the same words for things as we do.’” In May 1987, I traveled from Oxford, Mississippi, to Sofia, Bulgaria, to lecture on the American South »
“Folk humor is a key to both American culture and its literary tradition.” During his first visit in this country, Carl Jung noted the distinct style of American humor. Jung was struck by the “real American laughter, that grand, unrestrained, unsophisticated laughter” and felt it showed “remarkable vivacity and ease of expression. Americans,” he wrote, »
“One, two, three. I just waded out . . . through the muck. And then I got in his sailboat. Of course I was wet, but you can’t ask William Faulkner to wring you out, I guess. It hadn’t occurred to me until this minute that I might have.” BILL FERRIS: Eudora, I want to »
“That whole church would be a riot of the most beautiful songs. To be in the middle of it was for me an ecstasy, one of the greatest experiences of my life. I found it heavenly and unbelievably delightful, freeing and liberating. An odd thing about it was that the singing would never completely die »
“Pete thumbed his way all over that triangle from Maryland to Florida to Texas. Whenever he saw someone carrying a banjo or guitar, he would cotton up to them. And if they knew anything he didn’t know, he’d just find out what it was, learn to do it, and then go on to the next.” »