Interview
As part of the current exhibition Reckoning and Resilience: North Carolina Art Now, the Nasher Museum of Art recorded a conversation between artist Clarence Heyward, whose paintings are part of the show, and Tatiana McInnis, who teaches American Studies and Humanities at the North Carolina School of Science and Math in Durham, NC. This conversation has been »
Essay
Imagine the thrill. A letter drops through a mail slot, the phone rings, or your email pings. The message contains a beautiful proposition. Atlanta’s High Museum will give you a not unsubstantial amount of money. In return, you agree to make photographs in the South. Otherwise, you can do whatever you want, knowing that your »
Essay
This is a review of “The Dirty South” at the VMFA where it originated and hung until September 6, 2021. The show is now on view at the Contemporary Art Museum, Houston, through February 6, 2022, and images in this feature are courtesy of that museum. Later, it will travel to Crystal Bridges Museum of »
Photo Essay
It’s been more than eighty years since Doughten Cramer was a student at Black Mountain College. The school is long closed, the landscape has certainly changed. And yet, every time I set foot on Black Mountain College’s former Lake Eden campus, I share that same feeling. I become sensitive to everything. But despite the visceral »
Environment
Art provides a powerful historical archive through which we can see our lost environmental past. In 1915, the artist Romare Bearden left the South at the age of four; decades later, he rendered evocative depictions of the southern natural world. His paintings and collages capture the lush bounty of city gardens and the women who »
Interview
Amy Sherald and Deborah Roberts are friends, fellow southerners, and tremendously talented artists. Each in her own way makes work that is meaningful without being didactic and encourages thoughtful, critical consideration. What better people to talk with about the bounds of representation and the possibilities of portraiture? In January 2020, they caught up by phone »
Art
“A drawing is sometimes confirmation to me that the shenanigans needed for a complex work are justified, a visual consideration of a much bigger action.” This selection of drawings and sketches represents thoughts, visions, and various objects and observations, conveying my diverse spectrum of engagements over a few decades. Consider some of them “best laid »
Art
“We ride the waves of supply and demand on the banks of the Mississippi, furs and cypress, cotton and cane, oil and gas, corn and grain, coal and aluminum, commodities bought and sold, always en route, pushed up and down river.” They call it “Cancer Alley” because it’s got a reputation. The hundred-mile stretch between »
Art
“By gilding her passport, Page renders its emblematic privileges into an explicit ‘golden ticket.’” Artist Susan Harbage Page uses her US passport (collaged here) to explore her relationship to citizenship, mobility, and access. This self-reflexive art piece figures gold leaf as a signifier of treasured possession and links notions of worth and wealth with inclusion in »
Art
“What does it mean to be (categorically) ‘undesirable’?” When I first saw Tommy Kha’s “Return to Sender” series, I couldn’t help but think of an article I’d read some years ago about online dating apps in the United States. The article revealed how self-identified Asian men and women occupied opposite ends of a desirability spectrum, »
Art
Diego Camposeco’s Utopian Vision “The quinceañera is smiling, framed in the center, a standard sort of portrait for the occasion, but she is pointedly out-of-context.” “There is a South in every North,”I wrote Diego Camposeco, whose brilliant career as an artist and filmmaker was cut short by his death in 2019. His art and writing »
Photo Essay
“The following portraits show a few of the new faces of tradition in North Carolina, revealing the range of who they are, what they do, and how they commit to their artistic practice.” Since 1977, the Folklife Program of the North Carolina Arts Council has identified and documented traditional artists and their communities in order »