Subjects: Art
Curers, Charms, and Curses / Meddygon, Swynion, a Melltithion
Celebrating the Shared Folk Cultures of Appalachia and Wales
by Peter Stevenson“Appalachia and Wales share many folk tales and traditions, such as those of the granny women. These sisters made tinctures and potions and had remedies for every kind of ailment, though not of the hubble-bubble kind.” In May 2019, a group of illustrators, filmmakers, photographers, book artists, and folk artists from West Wales exhibited their »
Strange Fruit and Patriotic Flowers
E. McKnight Kauffer's Illustrated South
by Mary A. KnightonIn January 1941, literati tastemaker Carl van Vechten wrote in mock reproach to Gertrude Stein in Paris—whom he addressed as “Baby Woojums”—chastising her and her partner Alice B. Toklas for their absence when simply everyone else who mattered was there in Manhattan. To further pique the envy of author and art aficionado Stein, he noted »
Where We Find Ourselves
The Photographs of Hugh Mangum, 1897–1922
by Margaret SartorIn the late 1890s, self-taught photographer Hugh Mangum (1877–1922) began riding the rails as an itinerant portraitist, traveling primarily in North Carolina and Virginia. Mangum worked during the rise of the segregationist laws of the Jim Crow era. Despite this, his portraits reveal a clientele that was both racially and economically diverse, and show lives »
Build It Together
In Conversation with Phil Freelon & Pierce Freelon
by Southern CulturesIn 2017, the Center for the Study of the American South hosted Philip Freelon & Pierce Freelon in conversation for the Charleston Lecture in Southern Affairs. We were grateful to have witnessed Philip Freelon’s generosity and deep humanity as he and his son discussed creativity, community, and the artistry of architecture (among other topics) in »
Picturing the Road’s End
Art and Environment in the New Deal and New Millennial South
by Teresa Parker FarrisIn late spring 2016, Louisiana artist Monique Verdin arrived in the Netherlands for the annual shareholders’ meeting of Royal Dutch Shell armed with an impassioned message and a collection of her black-and-white photographs. The images, displayed as individual large-scale banners, revealed petrochemical plants looming over the wasted landscape, seasonal floods inundating impoverished neighborhoods, and denuded »
A Stranger to Me
by Kevin KlineThis series of over-sized tintypes is a rumination upon a relationship with a person and a city. Using metaphor, allegory, and the re-interpretation of a few facts, these images re-stage events and themes, and recreate certain atmospheres from a period of sixteen years. They are an idealized record of my relationship with my partner Brian »
Southern Lens
Elevating the Ordinary
by Melissa GwynnThe following works were included in the exhibition People Get Ready: Southern Lens at the Nasher Museum of Art at Duke University. The images coalesce around an untitled photograph from William Eggleston’s series The Democratic Forest. This photograph captures Eggleston’s “democratic” perspective that engaging imagery could be found in any subject at nearly every turn »
From Georgia Peach to Art Historian
Reflections on a Southern Jewish Childhood
by Gail Levin“My hope is that writing about how I found my way might help others who still search.” Attraction to the visual arts led me to defy my parents. My mother taught me to paint, but could not imagine me succeeding in a field where she had not. My father envisioned no future for a daughter »
A Thousand Crossings
by Grace HalePart of our Shutter series on southern photography, Grace Hale examines Sally Mann’s current exhibit at the National Gallery of Art, “A Thousand Crossings,” on view March 4–May 28, 2018. Beauty is everywhere in photographer Sally Mann’s exhibition A Thousand Crossings at the National Gallery of Art. In the first room of the show, her »
In the Studio: Beverly McIver
by Southern CulturesThis feature is part of a series collaboration with the “50 for 50” project, an initiative of the North Carolina Arts Council in celebration of their 50th anniversary. Beverly McIver is an acclaimed contemporary visual artist from Greensboro, North Carolina. She received the Rome Prize Fellowship in 2017, and is currently on sabbatical from her »
Studio Visit: Debra Austin
by Southern CulturesThis feature is part of a series collaboration with the “50 for 50” project, an initiative of the North Carolina Arts Council in celebration of their 50th anniversary. Debra Austin was nine years old when her first ballet instructor told her she didn’t have talent. Seven years later, she became the first African American woman »